Monday, October 30, 2023

On This Date in History


On October 30, 1938, “The War of the Worlds”, Orson Welles's realistic radio dramatization of a Martian invasion of Earth, is broadcast on the radio.
Welles was only 23 years old when his Mercury Theater company decided to update H.G. Wells’s 19th-century science fiction novel The War of the Worlds for national radio. Despite his age, Welles had been in radio for several years, most notably as the voice of “The Shadow” in the hit mystery program of the same name. “War of the Worlds” was not planned as a radio hoax, and Welles had little idea of how legendary it would eventually become.
The show began on Sunday, October 30, at 8 p.m. A voice announced: “The Columbia Broadcasting System and its affiliated stations present Orson Welles and the Mercury Theater on the air in ‘War of the Worlds’ by H.G. Wells.”
Sunday evening in 1938 was prime-time in the golden age of radio, and millions of Americans had their radios turned on. But most of these Americans were listening to ventriloquist Edgar Bergen and his dummy “Charlie McCarthy” on NBC and only turned to CBS at 8:12 p.m. after the comedy sketch ended and a little-known singer went on. By then, the story of the Martian invasion was well underway.
Welles introduced his radio play with a spoken introduction, followed by an announcer reading a weather report. Then, seemingly abandoning the storyline, the announcer took listeners to “the Meridian Room in the Hotel Park Plaza in downtown New York, where you will be entertained by the music of Ramon Raquello and his orchestra.” Putrid dance music played for some time, and then the scare began. An announcer broke in to report that “Professor Farrell of the Mount Jenning Observatory” had detected explosions on the planet Mars. Then the dance music came back on, followed by another interruption in which listeners were informed that a large meteor had crashed into a farmer’s field in Grovers Mills, New Jersey.
Soon, an announcer was at the crash site describing a Martian emerging from a large metallic cylinder. “Good heavens,” he declared, “something’s wriggling out of the shadow like a gray snake. Now here’s another and another one and another one. They look like tentacles to me … I can see the thing’s body now. It’s large, large as a bear. It glistens like wet leather. But that face, it… it … ladies and gentlemen, it’s indescribable. I can hardly force myself to keep looking at it, it’s so awful. The eyes are black and gleam like a serpent. The mouth is kind of V-shaped with saliva dripping from its rimless lips that seem to quiver and pulsate.”
The Martians mounted walking war machines and fired “heat-ray” weapons at the puny humans gathered around the crash site. They annihilated a force of 7,000 National Guardsman, and after being attacked by artillery and bombers the Martians released a poisonous gas into the air. Soon “Martian cylinders” landed in Chicago and St. Louis. The radio play was extremely realistic, with Welles employing sophisticated sound effects and his actors doing an excellent job portraying terrified announcers and other characters. An announcer reported that widespread panic had broken out in the vicinity of the landing sites, with thousands desperately trying to flee.
The Federal Communications Commission investigated the unorthodox program but found no law was broken. Networks did agree to be more cautious in their programming in the future. The broadcast helped Orson Welles land a contract with a Hollywood studio, and in 1941 he directed, wrote, produced, and starred in Citizen Kane, a movie that many have called the greatest American film ever made.

Orson Welles - War Of The Worlds - Radio Broadcast - Complete - 1938
https://soundcloud.com/user-539315942/orson-welles-war-of-the-worlds-radio-broadcast-1938-complete-broadcast



 



 

On October 30, 1918, aboard the British battleship Agamemnon, anchored in the port of Mudros on the Aegean island of Lemnos, representatives of Great Britain and the Ottoman Empire sign an armistice treaty marking the end of Ottoman participation in the First World War.
Though the Ottoman Empire, in a period of relative decline since the late 16th century, had initially aimed to stay neutral in World War I, it soon concluded an alliance with Germany and entered the war on the side of the Central Powers in October 1914. The Turks fought fiercely and successfully defended the Gallipoli Peninsula against a massive Allied invasion in 1915-1916, but by 1918 defeat by invading British and Russian forces and an Arab revolt had combined to destroy the Ottoman economy and devastate its land, leaving some six million people dead and millions more starving.
As early as the first week of October 1918, both the Ottoman government and several individual Turkish leaders contacted the Allies to feel out peace possibilities. Britain, whose forces then occupied much of the Ottoman territories, was loath to step aside for its allies, particularly France, which according to an agreement concluded in 1916 would take control of the Syrian coast and much of modern-day Lebanon. In a move that enraged his French counterpart, Georges Clemenceau, Prime Minister David Lloyd George and his cabinet authorized Admiral Arthur Calthorpe, Britain’s naval commander in the Aegean Sea, to negotiate an immediate armistice with Turkey without consulting France. Though Britain alone would engineer the Ottoman exit from the war, the two powerful Allies would continue to grapple over control in the region at the Paris Peace Conference, and for years beyond.
Negotiations between Calthorpe’s team and the delegation from Constantinople, led by the Ottoman Minister of Marine Affairs Rauf Bey, began at 9:30 on the morning of October 30, 1918, aboard the Agamemnon. The Treaty of Mudros, signed that evening, stated that hostilities would end at noon the following day. By its terms, Turkey had to open the Dardanelle and Bosporus straits to Allied warships and its forts to military occupation; it was also to demobilize its army, release all prisoners of war and evacuate its Arab provinces, the majority of which were already under Allied control. Bey and his fellow delegates refused to paint the treaty as an act of surrender for Turkey, later causing disillusionment and anger in Constantinople, but in fact that is what it was. The Treaty of Mudros ended Ottoman participation in World War I and effectively, if not legally, marked the dissolution of a once mighty empire. From its ruins, the victors of the First World War attempted to use the post-war peace negotiations to create a new, more unpredictable entity: the modern Middle East.

 

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